L.VAN BEETHOVEN / V.LACHNER: PIANO CONCERTOS No.3 & 4 (arr. piano/string quintet)
Utrecht String Quartet
Luis Cabrera, double bass
Label: Naxos Music
Catalogue no: 8.551400
Release Date: November 2019
Barecode EAN: 73009914003
Chamber Music Arrangements of Beethoven's Piano Concertos
It is a well-known fact that apart from Johann Nepomuk Hummel Ignaz Lachner arranged quite a number of Mozart’s piano concertos for piano and string quartet (some with an additional double bass). Ignaz Lachner was four years older than his brother Vinzenz, who - in turn - arranged a lot of Beethoven’s works.
The Lachner family from Upper Bavaria was a musical family, specifically the three brothers Franz Paul (1803–1890), Ignaz (1807–1895) and Vinzenz (1811–1893), whose original works have so far been widely ignored. However, there is one question that is often asked: Why have composers tried to adapt orchestral scores to the instrumentation of small string ensembles? In this connection it is necessary to consider the time when those arrangements were created – the so-called Biedermeier period, the music of which is mostly subsumed under the term early classical era. At that time the opera was a favourite musical genre of the bourgeoisie. The piano, however, became an important instrument in bourgeois households because people wanted to listen to the great musical masterpieces. The fact that orchestral works could hardly be performed in the comparably small rooms of their homes resulted in a growing demand for piano concertos being arranged for chamber music instrumentation.
Chamber music arrangements with piano became the major fields of activity for arranger-composers to ensure a wider distribution of famous works.
The soloist can choose whether the piano – apart from the solo – also takes over the tutti passages of the orchestra for the overall sound. In this connection, however, it is advisable to follow Liszt’s arrangement in this edition where it is deemed necessary. The fact that these chamber music versions by Lachner and Lebert have not been available as recordings is most probably due to the fact that most pianists considered these arrangements to be inferior to the orchestral versions. It is only Piano Concerto No. 4 in its chamber music version that numerous artists have meanwhile included in their standard repertoire. However, there are also quite a number of interesting arrangements regarding other concertos and we should keep in mind that Beethoven himself also wrote chamber music versions for his orchestral works in order to make them more widely known. One example is Symphony No. 2 which the composer himself arranged for piano trio. Another important aspect is that the chamber music arrangement of those works are by no means less fascinating.
The Piano Concertos No. 3 and No. 4 are here presented in the version Lebert had created in co-operation with Vinzenz Lachner.
text: Carsten Dürer
English translation: Dorothee Kau